Matthew Mole (Whale) a Kennedy
Tare-otu Review
INSTRUMENTATION
Alternative rock
is to have an instrumentation that follows the theory of basic soft Rock and a
mixture of purity in austerity and subtlety. This beat gave us the up and downs on rock, from
one instrument to the other, knowing when to come in and knowing when to let it
be. It gave the feel of Alternative, soft Rock and even tiny little country,
and once in a while a feel of lullaby made this beat great in switch. You have
no idea where the instrumentation is always leading you.
SINGING SENSATION
In an
Alternative nothing wants to be heard than a voice with the ability to make
subtle sounds like a shallow opera, and of course the ability to sing soft
rock.
The singing
sensation of this song happens to have the necessity of Alternative, even if
the act didn’t do much; he was interested in only passing a message. It’s an
above the average mark because of the great mixture of voices, that sounded
shallow beneath the lead, and the humming that gave an emotional quotient.
Emotional quotient is needed in an alternative song, that’s what differentiates
it from soft rock.
Let’s take a
look at the song Oblivion by Bastille, number 1 effect in such a great
alternative is the emotional quotient coming from both the singer and the
instrumentation, and alternative doesn’t ever forget to have a great solemn
back up that is mostly masculine, and adds more emotional quotient and makes
them sound like a band which they are of course.
Matthew mole
still gave us a great alternative singing sensation, even if he lowered the
presence of a few necessities, like the back up, and didn’t give much of the
alternative melodious humming that makes you feel more emotion in the song. If
you still don’t understand let’s take a look at the Song ‘Never let me go’, by
Florence and the Machine.
Florence
gave a very deep effect to the song by making people hum underneath her words
like they were doing a little opera thing. And you have to believe in your back
up’s with necessary melodious parting, which Florence made her back up do at
the end of the song, when singing ‘Never let me go’ repeatedly.
Matthew Mole
could have increased the singing sensation of the song with more humming and
voice parting at intervals.
LYRICAL CONTENT
‘Open up
your hands, synchronize your plans and find a way to go.
Open up your
hands, synchronize your plans and find the way home.
If you run,
run, run, run away disobey your father.
And wait and
see there is a whale in the sea for you.
Open up your
hands, synchronize your plans and find a way to go.
Open up your
hands, synchronize your plans and find the way home.
Cover up the
sky with clouds, supply the Earth with rain’.
There is a
prominent feature of the arrangement of this lyric, with little rhythmical
structure and a small sequence of words.
‘Open up
your hands, synchronize your plans.
Find a
way, find the way to
go, home.
Wait and
see, there is a whale in the sea.
Repetitions
were also involved to give it a rhythmic stanza of arrangement.
Run, run ,
run.
The last
words in these lyric (Cover up the sky with clouds, supply the Earth with
rain) weren’t necessary to me. I feel it has a meaning nearly to what the song
portrays, but absolutely still out of the message. It might mean let the heaven
give blessings, but it is hard to phantom how it relates to the child he is
advising to obey his or her parents, that’s the way to abstain from troubles as
a kid.
But the
lyrical content is above average, because Matthew showed us he could write
professionally with little words, but a message and a perfect arrangement.
COMPOSITION
Never have I
seen an alternative song well arranged instrumentally like this. It was 60
percent instrumentation and a 40 percent singing with a well arranged lyric.
Matthew mole
gave us a great feel and a great mixture.
OVERALL
REMARK
This song
isn’t just listenable; it is perfect for the hearing and helps me to think
Alternative is growing in Africa. Acts like this makes it happen.
Kennedy Tareotu Review
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